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Two Music Reviews of Sorry For Party Rocking by LMFAO Essay Example

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Two Music Reviews of Sorry For Party Rocking by LMFAO

Two Music Reviews of Sorry For Party Rocking by LMFAO. Of humor and energy that keep listeners stick to the album John Bush did not really bother about the rhythms and beats but tried to evaluate whether the music appeals to audiences and drives them to emotional characterization. This is what we call Aesthetic Contemplation. Listeners don’t need to understand the track to enjoy the song. This is the reason why John Bush rated the album as Good.The review written by Caryn Ganz on www.com looks into rhythms, synths and beats. Caryn just focused on trying to understand the meaning of the song by analyzing the rhythms, beats and synths. This is what theoretical contemplation; you will try to analyze the aesthetics of the song but end up in no feeling the richness of emotional characterization.

This is the reason behind Caryn rated the album as not up to the mark.Both these reviews are analyzed by using 3 types of aesthetic perceptions. They are Aesthetic Imagination, Aesthetic Correspondence and Aesthetic Contemplation (Martin Seal). Seal also mentioned the difference between theoretical contemplation and aesthetic contemplation. When you are listening to a pop music in a concert, you just immerse yourself into the music without your notification (Seel 1996b, p. This is aesthetic contemplation. If an album which makes you to immerse into the music like this, that album will surely be a chartbuster. The review written by John Bush is the perfect example for this where as Caryn did not look into Aesthetic contemplation. Theoretical contemplation is something where in you deliberately try to understand the meaning of the song. Definitely, music has a lot to proffer if you really want to enjoy the music without knowing the actual meaning of the music.Normally, when you are listening to music, you will forget all surroundings and thoughtfulness of purpose to immerse yourself into the music (R von Appen, 2007). The melodies, hooks, rhythms and sounds take you out of your normal world so that you will forget everything for a short while. That is what the aesthetics of popular music. You will give up everything and go along with the music.According to Tibor Kneif (1978, p.17), “Of course, rock music always give a chance to enjoy the good aesthetics of music in sensual way, where in you forget aesthetic contemplation. The appeal of the music always depends on the Aesthetic correspondence. Music helps people to perceive and recognize themselves in this esteemed society. Aesthetic Imagination is another. Two Music Reviews of Sorry For Party Rocking by LMFAO.

Bibliography

AllMusic Review on ‘Sorry For Party Rocking’ http://www.allmusic.com/album/sorry-for-party-rocking- r2197467

Kneif, T. (1978). Sachlexikon Rockmusik. Reinbek b. Hamburg: Rowohlt

Rollingstone Review on ‘Sorry For Party Rocking’ http://www.rollingstone.com/music/albumreviews/sorry-for-party-rocking-20110621

Scruton, R: The Aesthetics of Music, Oxford University Press, 1997

Seel, M. (1996a). Eine Ästhetik der Natur, Frankfurt a.M.: Suhrkamp

Von Appen, R. On the aesthetics of popular music. (2007). http://musictherapyworld.net

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preview essay on Two Music Reviews of Sorry For Party Rocking by LMFAO
  • Pages: 3 (750 words)
  • Document Type: Essay
  • Subject: Music
  • Level: Masters
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