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Theatre Arts Essay Example

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What have some of the most prominent people in the profession been doing and drawing inspiration from as part of their exposure to different approached would be an interesting question in this context and is the prime purpose of this paper. One of the most special faculties that combine different forms of expressions to life in a real sense is the world of theater arts. Theatre or Drama is a notch higher than most other forms of expression and falls under the auspices of the study popularly known as ‘Performing arts’1.The world of Theatre has seen many eminent directors and artists each of whom has created a niche for them through years of constant practice, observation and determination. Among them, it has been even more difficult for women directors to come to the forefront and achieve recognition. Whenever the question of who the greatest women director is surfaces, the name Julie Taymor always leads the list. Julie Taymor is an influential American director of Theatre and Opera, who is associated with numerous awards and nominations including an Academy Award nomination.Born in 1952 and a product of the Oberlin college of Ohio, Taymor took an early interest to acting and drama at an early age. Even before she graduated with a degree in Mythology and folklore, she had widely travelled the world as part of dance and stage troupes and had seen the different ways in which theatres were using unique styles to perform in front of home crowds. Her subsequent forays into learning the ancient techniques of the bunraku form art from the Awaji island in China and the distinctive theatrical style of Bali based theatre groups would go on to play a huge part in the way she approached the stage. All of these shall be discussed as part of the current paper in the forthcoming sections.Apart from being a director and producer of many recognized theatrical productions, Julie is also a renowned as a puppeteer and artist. As such, she is acknowledged with filling in several voids in theatrical art and has also been known to have worked with several others prominent actors and directors. Many of the visitors who have witnessed here displays of art and theatrical fondly remember her for providing an intense representation of memories and emotions. Many have attributed with her skilled acumen in being able to instill lively expressions both in on stage

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BIBLIOGRAPHY

1. Geetha Ramanathan (1996), Sexual Politics and the Male Playwright: The Portrayal of Women in Ten Contemporary Plays. University of California.

2. Michelene Wandor (1986), Carry On, Understudies: Theatre and Sexual Politics. London: Taylor & Francis.

3. Victor J. Seidler (1991), Recreating Sexual Politics: Men, Feminism, and Politics. London: Taylor & Francis.

4. Michelene Wandor (1981), Understudies: Theatre and Sexual Politics. University of Michigan.

5. Jennifer Ellen Robertson (1998), Takarazuka: Sexual Politics and Popular Culture in Modern Japan. University of California Press.

6. James Redmond (1985), Drama, Sex and Politics. University of Michigan.

7. Dale Spender (1983), Women of Ideas and what Men Have Done to Them: From Aphra Behn to Adrienne Rich. London: Routledge.

8. Stephen Orgel, A. R. Braunmuller (2002), The Complete Works. London: Penguin.

9. Diane Christine Raymond (1990), Sexual Politics and Popular Culture. New York: Popular.

10. Susan Carlson (1991), Women and Comedy: Rewriting the British Theatrical Tradition. University of Michigan Press.

11. Sarah Werner (2001), Shakespeare and Feminist Performance: Ideology on Stage. London: Routledge.

12. Gale (2004), Shakespearean Criticism: Criticism of William Shakespeares Plays and Poetry, from the First Published Appraisals to Current Evaluations. London: Gale Cengage Learning.

13. Sue-Ellen Case (1988), Feminism and Theatre. California: Methuen.

14. Victor J. Seidler (1991), Recreating Sexual Politics: Men, Feminism, and Politics. London: Routledge.

15. Schechmer, Richard (2001). Julie Taymor from Jacques Lecoy to the Lion king. Puppets, masks and performing objects, John Bell, editor. New York University. MIT press.

16. The tempest. “Behind the scenes”1993-94.

17. Gussow, Mel. (1998) Review/Stage Design; Julie Taymor’s Theater Imaginings. New York Times.

18. Theater; Recapturing the Fantasy in Ourlives (2000) New York Times.

19. Julie Taymor (2006) Interview in Los Angeles, California.

20. Academy of audience (2006), Julie Taymor Biography: Transforming the world through art. Academy of Audience.

21. Eileen Blumenthal, Julie Taymor (2007), Julie Taymor: Playing with Fire. London: Harry N. Abrams.

22. Julie Taymor (2006), Titus: The Illustrated Screenplay.

23. George Tsypin (2005), George Tsypin Opera Factory: Building in the Black Void. New York: Princeton.

24. Alexis Greene (1997), The Lion King: Pride Rock on Broadway. New York: Hyperion.

25. John Bell (2001), Puppets, Masks, and Performing Objects. Cambridge: MIT Press.

26. Helen Krich Chinoy, Linda Walsh Jenkins (2006), Women in American Theatre. London: Theatre Communications Group.

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preview essay on Theatre Arts
  • Pages: 19 (4750 words)
  • Document Type: Essay
  • Subject: Unsorted
  • Level: Undergraduate
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