The identity of a rape victim and the exact recorded course of events must be adhered to by a photojournalist. Honesty, on the other hand, sets in when the photojournalist can vehemently confirm the authenticity of the recorded events by verifying the sources and the validity of the subject of discussion.With the ever changing technology, the media is increasingly becoming modernized and more efficient encompassing a variety of objectives (Hariman, Robert, and John 201). The visual film, one of the introduced source of recording events, for example, has become crucial in photojournalism. Consequently, most of these recorded events have found their way into the internet systems attracting wider audience and viewing. In his book, ‘Bending the frame’, the author, Fred Ritchin is addressing some of the emerging capabilities portrayed by the introduction of the visual media initiatives (Hariman, Robert, and John 205). The impacts of the introduced visual media on a community cannot be underpinned as stipulated by Fred Ritchin (Hariman, Robert, and John 210).The book ‘Bending the Frame’ is very explicit in the description of the emerging online systems, the use of videos to account for events, and a variety of related literatures. In essence the photos and images captured by a photojournalist in a way is instrumental in the promotion of completely new thinking and some notable effects on the societal and cultural order (Hariman, Robert, and John 219).The visual definitions of photography are arguably narrowed down to a type of genre intending to make visible some of the hidden experiences and events in a society. In essence,. Types of Journalism, Mass Media and Communication in History.
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