Furthermore, despite what critics say about it being fixated upon “sex, violence, and harsh language”, a majority of people (specifically the younger generations) see it as a new paradigm of what type of life that they might be able to achieve and how different the world could be (Foreman & Neal 2004). As was stated the music has the potential to mend many ethnic relations and this is what many people do want or otherwise the music would not be as popular as it is today. The music industry itself claims that hip-hop has challenged the governmental systems in ways which have brought unification among the people across a hugely diverse and ethnically rich sphere. Although it was once considered to be only a fad and something that would disappear over time, it has instead taking hold of the people and been going strong for more than three decades now. Sociologists show that the current generations which find this music appealing consist of “Blacks, Whites, Latinos, and even Asians”, all of whom are growing up on this style of musical representation (Foreman & Neal 2004). The more defined and higher quality changes that hip-hop has brought have to do with the realignment of cultural aesthetics which have spanned a wide-berth in societies everywhere around the world. The music has inevitably influenced all young people from all races who now search for “excitement, artistic fulfillment, and a sense of identity through their exploration of the black underclass” (Chang 2005). Though it is only music, many people do not realize the true potent affect something so simple can have on such a wide range of culturally oriented generations.The cultural. The Sociology of Hip-Hop Music and the Affect of it in Society Today.
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