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Richard Meiers Architecture Essay Example

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Richard Meiers Architecture

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Moreover, finally there is a ramp further the west marquee and the central plot. Its consequent east-west visual axis commences with the edge of the academic wing of the Getty Research Institute (GRI), the walkway connecting the central garden with the GRI (Williams, 78). Furthermore the neglect to the azalea pool located in central garden, the walkway connecting the central garden with the west pavilion, and lastly the north wall of the west gazebo and the patio amid the south and east pavilions. All over the Museum there is a layering in segment flanked by paintings, enlighten by skylights on the crest floor plus artworks that are secured from ultraviolet light that is in the lower levels.Meier used very simple colors to bring the hygienic nature of the environs just like in the De Stjil. He incorporated elements of arts and design to increase the aesthetic value or rather the nature of the whole place.All through the campus, copious fountains present white noise as a background. The original design continues to be intact; nevertheless benches and fences are all around the plaza springs to put off guests from wading into the pools. In conformity with the American Disability Act (Jeffrey, 65), very many modifications have been implemented to conform to the modern architecture. The white color of the setting may diverge with the particular colors of Bauhaus that are somehow a specific set of colors flows through the display like a stream: a chief harmony of Cobalt, Vermillion and Lemon Yellow. And cement gray, cantaloupe, sea foam green plus an astoundingly solid blob of Rose Madder. On the other hand, De stjil uses another combination of colors that are red, yellow and blue. And it also uses some primary colors of white, grey, and black to bring simplicity in the whole setting. Besides, the works of De stjil evaded symmetry and gained aesthetic balance by just using the opposition (Williams, 57). The component of the movement exemplifies the second connotation of stijl: "a post, jamb or hold up". Moreover, that is most excellently demonstrated by the building of crossing joints, generally seen in carpentry. The carpentry may resemble some of the carpentry in the classrooms of the Getty research institute. The Getty construction conforms to most of these pure modern architectures in a variety of ways. It imitates less nature but rather presents its

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Works Cited

Deal, Joe. Between Nature and Culture: Photographs of the Getty Center by Joe Deal. Los Angeles, CA: J. Paul Getty Museum, 1999. Print.

Gropius, Walter. The New Architecture and the Bauhaus. Cambridge, Mass: M.I.T. Press, 2007. Print.

Hines, Thomas S. Richard Neutra and the Search for Modern Architecture a Biography and History. Berkeley: University of California Press, 1994. Print.

Hirsch, Jeffrey. Seeing the Getty Center: A Souvenir Book. Los Angeles: J. Paul Getty Trust, 1996. Print.

Seibold, J.otto, and Vivian Walsh. Going to the Getty: A Book About the Getty Center in Los Angeles. Los Angeles: J. Paul Getty Museum, 1997. Print.

Williams, Harold M. Making Architecture: The Getty Center. Los Angeles, CA: J. Paul Getty Trust, 1997. Print.

Williams, Harold M. The Getty Center: Design Process. Los Angeles, Calif: J. Paul Getty Trust, 2011. Print.

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