It takes on the ideas of murder, love, and marriage.
3. The above characters are the once that help cement the principal theme of relationship that runs in the movie. Since the themes are subjective and delicate, the debate might ensue concerning this. Romance might be prominent but does not cut deep as it only implies moments while relationship encompasses the moments as well as the nitty-gritty arguments, solitude, and repairs.
4. Films can be approached from the following analytical positions: psychoanalytical, iconic and shot by shot analysis. Iconic analysis deals with the analysis of picture or image to try and understand how the different pictorial elements are used to convey the meaning of the film. In the shot by shot analysis, a written description of the film is given in the form of the order of the shots. A psychoanalytical analysis generally involves the observation of the events and how they change.
5. Rear window has done wonders as it remains a favorite for many. It still is a great hit too many. Though the polls are inconsistent, they clearly indicate that the movie is still popular for many.
6. Having done a great movie with the kind of technology that was there 60 years ago, Alfred Hitchcock would have done wonders with the special effects that are now available. Rear Window by Alfred Hitchcock - Movie Review.
ReferencesMondo, B&W, 1945, 111 mins.Directed by Alfred HitchcockStarring Ingrid Bergman, Gregory Peck, Leo G. CarrolLMGM (Blu-Ray & DVD) (US R0 HD/NTSC), Anchor Bay, Criterion (US R1 NTSC), PT Video (UK R2 PAL) Retrieved April 19, http://www.mondo-digital.com/hitchcock.html
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