This structure is suggested to be unique due to its integration with the natural components considering the landscape design. Van Eyck tells of the relationship to that of the leaves of a tree to their origin. The design of the college is unique as it spreads the design from its repetitive features that are projected to the college rooms. The use of geometrical shapes in the forms of a circle to trapezoidal composition gives it an outstanding contrast in layout, as the forms are combined to create unity. The structure of the college is placed to achieve progression as one move from a level to the other. The overall circular architectural composition of the structure suggests how applications of geometrical components are incorporated to achieve superior design that depicts unity.These geometrical attributes implemented on the individual rooms constitute the college’s unique look. The radical placement of the individual structure into the components of the entire building obeys both vertical and horizontal composition thereby rendering it dynamic. This entity incorporates the landscape aspect of design because of its involvement in creating unity with the entire natural setting. The structures interrelate because the individual rooms constitute an architectural work, but as an overall constituent, they appear as a rock upon the hill, therefore, contributes to the landscape design.In considering the structure as an individual architectural work, this may be termed as a centralized design, but it is vital to observe the principled design, which is situated longitudinally and opens the design to the world. There is a correlation existing between nature and structure.The article suggests that, with the Bronze Age’s demise, structures were built to depict the economic and social status of the communities. In ancient Greek where structural composition was upheld by iron as the major composition, the structural shape of the buildings constantly changed depicting several designs. The application of triangular truss to the radial supports to define the structure explained their involvement in utilizing shapes to define forms of their architectural works (Kostof, Castillo & Tobias, 117). Structures were built to complement the society’s beliefs as every detail given to the precise design incorporated. An example was seen in the direction a building faced in
Kostof, Spiro, Castillo, Gregory and Tobias Richard. A History of Architecture: International
Second Edition. 2 Ed. New York. Oxford University Press, Incorporated, 2009.
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