It is too rich and voluminous to fit the daylight. Ornamentations and contrasts add celebratory character to the section.After the culmination of the first section, there is a short transition between the first part and the second part at 3:10-3:27. The melody goes to lover register; it displays new descending movements and significant change in pitch. It moves to the lower register and becomes silent (piano). This transition is important for the perception of the whole piece because it clears mind and makes it ready for the second section of the piece.The second section lasts from 3:28 to 5:35. It is light and pleasant. I would title this section “Morning Glory” due to its transparent and airy sounding. It has no radical amplitudes; all elements harmoniously flow. It reminds of moment when the sky and the water in the morning are almost of the same color and it takes some time to draw a horizon between them from distance. There is nothing in the section that can break this harmony and calmness. It does not have the same rich ornamentation. Strings and wind instruments are not aggressive in this section when they take the lead. Overall, this section is very pleasant and relaxing. It omits any controversies keeping all elements in the same scale and good order.All this harmony from the second section is destroyed in a second at 5:36. This is the beginning of a new transition between the second and the last sections of the piece. It lasts for more than a minute till 6:50, and its function is to create tension before the last section of the piece, which begins. Reactions and Reasons.
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