Nick sees Daisy’s home and life as a white, unchanging thing, full of meaningless talk and even less meaningful action that tends to make him slightly ill. He presents her reaction to having Gatsby in her home alongside her husband as a careless, spiteful action: “Gatsby stood in the center of the crimson carpet and gazed around with fascinated eyes. Daisy watched him and laughed, her sweet, exciting laugh; a tiny gust of powder rose from her bosom into the air” (118). This carelessness applied equally to her daughter, to whom she only speaks occasionally and often speaks of as an object or possession rather than a human being. Finally, in the end, when Daisy strikes and kills Myrtle on the way home from New York later that evening, she expects Gatsby to take the blame and allows her husband to whisk her off to someplace far away and safe from any investigating eyes.Despite Nick’s supposed objective perspective on these two individuals, however, he remains a very subjective person. He sees Gatsby for the tremendous force he is as well as the fatal flaw that leads to his eventual death, but he also sees Daisy and her social group as a snobbish empty careless group of people who have no idea how to comport themselves in the real world. His impressions are those of an outsider, but also those of an insider, as he warns us at the beginning of the book that he is accustomed to being among the upper-class citizens within his Midwestern home. He admits this failing in himself before he even introduces Gatsby or Daisy: “After boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes, but after a. Perspective in The Great Gatsby.
ReferencesFitzgerald, F. Scott. (1974). The Great Gatsby. New York: Bantam Books.
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