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Palestinian cultural music Essay Example

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Palestinian cultural music

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Marriage rituals were also centers for musical celebrations. They were home to distinctive music such as the Dabke. The music was accompanied by a dance performed by a complex group of dancers linked together.During the period before 1948, there were variety and forms of music. Some of the traditional forms of music have transcended and withstood time due to their relevance of their subject matter and the need to preserve culture and tradition. Traditional forms of music can still be heard today at special events, highlighting their historical value. They still remain highly popular in weddings and other cultural gatherings. The forms include:Mijana or Ataba. These are the most popular type of songs in the Palestine society and culture. It is the songs farmers, shepherds, and workers among others sing while doing their jobs. However, weddings are the center stage for the songs. As with other forms of music, Mijana deals with poetry with four verses and it is a commonly means through which Palestinian culture is passed on through generation to generation (Kanaaneh, Thorsén, Bursheh, & McDonald, 2013).Dal’ona is the second most popular traditional form of Palestinian music. It is easier to compose than the previously mentioned Ataba. It has four verses of poetry, a similarity it shares with Ataba though the structure of the verses varies. Dal’ona is the sound of Palestinian popular dance dabka where the dancers sing along to it with the sound of the flute (shubbabah), mijwiz or yarghool.The Sahja is another form of popular traditional Palestinian music usually sung at marriage rituals. It may be done by both men and women, and it involves the clapping to the rhythm of the song (Kanaaneh, Thorsén, Bursheh, & McDonald, 2013). The men usually gather in two lines surrounding each other or facing the groom. Then the Zajal leads in singing the sahja starting with a verse as the entire gathering repeats afterwards. For women, the Zajal does the singing while the other women repeat. The main difference is that for women, the Zajal is usually an older woman.After the creation of the Israel which led to the occupation of the Palestinian territory, large numbers of Palestinians fled to or were forced into living in refugee camps. Palestinian music started highlighting this struggle. Cultural resistance became synonymous with Palestinian music and songs since the forceful expulsion from their

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References

Kanaaneh, M., Thorsén, S.-M., Bursheh, H., & McDonald, D. A. (2013). Palestinian Music and Song: Expression and Resistance since 1900. Bloomington, Indiana: Indiana University Press.

Kay, D., Herbert, B., & Burkhalter, T. (2013). The Arab Avant-Garde: Music, Politics, Modernity (Music Culture). Connecticut: Wesleyan.

Ting-Toomey, S. (2012). Communicating across cultures. New York: Guilford Press.

Wetzel, R. (2013). The Globalization of Music in History. Vol. 2. London: Routledge.

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preview essay on Palestinian cultural music
  • Pages: 4 (1000 words)
  • Document Type: Essay
  • Subject: Music
  • Level: Masters
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