However, it may be differentiated from the other forms by giving more significance to the music rather than movement, dialogue, and the other elements of theatre. For a long time now, contents of musical theatre have been referred to as musicals to signify the importance given to music.Music has been a major content of musical theatre for a long time now before the introduction of Western forms of musical theatre. Since the introduction of these modern forms, there have been a few established works that have been used to illustrate their importance. Popular works in support of Peter . Stone include those of Gilbert and Sullivan, Harrigan and Hart, and George M. Cohan among others (McMillin, 2006). Through such works, it is recognizable that the content in musical theatre is performed around the world, and may be presented in large venues and smaller fringe spaces. Also, there are a number of theatre scenes for musical purposes in United States, Asia, Britain, continental Europe, Canada, Latin America, and Australasia.Stone is considered to be the first dramatist to be crowned with various awards. Some of the awards include the Oscar, the Emmy, and the Tony award and are considered to be the most important awards in America within the performing arts industry. Such achievements make Stone’s contributions very outstanding within the musical theatre industry. Stone served as a very active member of the Dramatists Guild of America and held the office of President for seventeen years from 1981 to 1998. Apart from authoring books on musical theatre, Stone also wrote various original plays as well as screenplays. Through such initiatives, he was considered to be a ‘show doctor’ who was capable of resolving the various shortcomings that affected musical theatre (Auslander, 2007). Regardless of such contributions, Stone’s works have not been put into much attention by scholars in proving their significance to the development of issues affecting the musical theatre.One of the scholarly works done by Stone is a book titled ‘1776’. It is a musical book based on the concept of witnessing the birth of a nation as a nation struggles to craft the important declaration for independence. The book also represents one of the most unconventional records of Broadway hits that blaze across American history. Stone attempts to use 1776 to humanize the pages of history by giving unique characters to the men behind the icons in the book (Block, 2009). Some of the
Auslander, P. (2007). Theory for Performance: a students guide. Abindgon; New York: Routledge.
Block, G. (2009). Enchanted evenings: The Broadway musical from Show boat to Sondheim and Lloyd Webber. Oxford: Oxford University Press.
Jones, J. (2003). Our musicals, ourselves: A social history of the American musical theater. Hanover: Brandeis University Press: University Press of New England.
McMillin, S. (2006). The musical as drama: : a study of the principles and conventions behind musical shows from Kern to Sondheim. Princeton: Princeton University Press.
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