The colour of the Child’s skin matches that of Madonna. His right hand fingers and thumb are closed with the exception of his index and middle finger. The Child’s hair is curly and in abundance. There appears to be a circular shape behind the Child’s head with a red cross inside. The Child’s head appears to be in the center of that circle and cross.There are significant similarities between Duccio’s and Berlinghiero’s renditions of Madonna and Child. The colour of the clothing worn by Madonna in both the pictures is roughly the same shade. It applies to the child as well. There are two common emblems on her shawl, one upon her head, the other her shoulder, which is visible in both paintings. In both paintings, the child sits upon her left hand. Both the mother and son, have a circle in the background behind their heads.There are however some very striking differences between the two that sets them apart from each other. The biggest and most prominent difference between the two is the appearance of the child. The eyes are bigger and detailed, with hair more abundant in Berlingheiro’s version as compared to Duccio’s version, which shows shorter hair. In Duccio’s rendition, the child is of a darker colour as compared to Berlingheiro. Madonna’s facial expressions are significantly different amongst the two paintings with one, Duccio, presenting a subtle more distant look in her eyes, while the other presenting a strong, stern facial expression, Berlinghieros. In Berlinghiero’s version, the child is wearing only a single piece of clothing wrapped around in a manner so that it appears like a proper set of clothing where. Madonna and Child.
Berlinghiero, “Madonna and Child”
Duccio, “Madonna and Child”
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