Even as an actor who has since been identified with it so that her career blossomed to heights as she continued to share it through the passing ages, tingling the child in every listener. My own childhood was over half a century far from the time “Over the Rainbow” was born yet something about the trait of the song feels I am home with the lyrics and makes me understand it all throughout that I can sing the piece to the utmost tune I suppose the composers originally intended it to be. Children, in truth, often possess remarkable imagination and we know that when it comes to rainbows, no matter how peculiar and wild one child’s capacity is to visualize it compared to that of another, the experience ought to be a joyful one, by all means. Seemingly, “Over the Rainbow” resonates majority of the rainbow songs typically occupying the cares of our tender stubborn youth.Moreover, ‘somewhere’ in the line adds to the wonder of the song – a factor that alludes the idea of hope and yearning for something far better or happier in terms of peace and economic prosperity, especially since the song’s birth came around the period of war, at least prior to World War II. As I look into this aspect of world history, in relation to the song, I could feel an overwhelming sense of relevance, thinking of the tragic fate of the nations involved as people must have tried too desperately to be relieved of fears and all sorts of inner struggle that befell their lives. What kind of music could be playing in their heads amidst the bombings and the killings ‘somewhere’? Nothing but singing thoughts most likely in order to drive away tormenting thoughts with the beauty of a rainbow vivified by the dramatic meaningfulness of the words in the song. As a timeless classic that created Garland’s legacy, “Over the Rainbow” strives to capture more hearts and bring them to childlike realm of dreaming as before through versions by the late Israel “Iz” Kamakawiwo’ole, Kylie Minogue, and Eva Cassidy, among others.Composed by Richard Rodgers and Lorenz Hart for the production of the musical “Babes in Arms”, the show piece “My Funny Valentine” achieved no spot as public hit until the jazz era of the mid-50s where well-known jazz musicians such as Miles Davis, Charlie Parker, and Chet Baker popularized the tune by recording a number of equally charming instrumental renditions, utilizing trumpet, alto sax, piano, and vocals designed to blend together in
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