The end result could be that the company pays the price by engaging a number of writers to get the first draft to assimilate it with the second one. All screenwriters do not have the art of writing the first draft such that the company depends solely for the same writer for the second draft. Some writers are adept in winning their case in the second draft only. It depends from writer to writer. Some writers may say ‘no’ to write the second draft in free (Mazin, 2009).
Asking writers to pitch again and again is not a good notion for the production studios. It is quite tiring job for a screenwriter to break stories, as he or she might be working on a number of themes. Creative abilities of the writers get lost in such lingering processes, as their attention gets diverted to non-creative works. But then, screenwriting is a risky and rewarding occupation. The more the risk, the greater could be the reward. A pitch cannot prove that the script will be equally great (Mazin, 2009).
The formula for following the trend in screenwriting does not work always as trends change suddenly. Till your story comes on the screen, the trend gets outdated by that time. A repeat concept cannot be cashed again. Analysis of Writing Screenwriting for Television.
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