Then, the film largely acknowledged the Catholic concepts about Christ. The key critique found in the gospel regarding Marxism is that traditional materialism is not compatible with the doctrines of Christianity like, for example, the reality of materials beyond matter, such as the spirit. Pasolini was exceptional in his ability and strategy to pick scenes from canonized texts and convert them into factual images. His style, which is embedded firmly in Italian neorealism, impacts on his film that brings life and reality to the screen minus the dilution created by formulas and melodrama 2012, p. Viewed critically, the use of nonprofessional actors who are directed in realistic situations of everyday life delivers an unexpected compatibility between Pasolini’s understanding of Marxism and the Gospels, especially through the view of social criticism. An openly known Marxist, Pasolini’s film was viewed in that perspective by most of the audiences. Yet, he uses it perfectly to communicate a universal Jesus Christ as a messiah belonging to the working class and possessing revolutionary sensibilities. Politics (and the Romans too) do not play a significant role in the film. Jesus Christ’s trial before Pontius Pilate is screened from a distance and very briefly while assuming the perspective of the crowd 2012, p. Instead, Pasolini’s focus is on the religious establishment, particularly on the scribes, Pharisees and priests.As a cultural movement, neorealism in films essentially brings forth the true life elements of the narratives they describe, rather than focusing on a world that exists chiefly in imagination. Italian neorealism, in particular, signified social progress and cultural change in the nation Pasolini is successful in continuing the concerns of neorealism with the realities of life as well as representing recent history by characteristically casting the working class and the poor while filming on location 2012, p. As a matter of fact, Basilicata, where the film was mainly shot, is one of the desolate and poor Italian districts. The Gospel According to St Matthew is a typical example of the neorealist films because it mainly contends with the harsh moral and economical conditions of Italy after World
British Board of Film Classification, 2012, The gospel according to St Matthew, British Board of Film Classification, London.
Huda, A 2006, The art and science of cinema, Atlantic Publishers, Georgia.
Raines, J 2002, Marx on religion, Temple University Press, Philadelphia.
The University of Auckland, 2012, Pasolini, Faculty of Arts at The University of Auckland, New Zealand.
Thompson, K 2010, Film history: An introduction, McGraw, New York.
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