e. James Bond (Wallace, 1997). Strangely enough, Dr. No (1962) (which was the first Bond film) was not a resounding success when it was launched but it gained in popularity as word of mouth marketing took over and made it into a British success. The next year, From Russia With Love (1963) was a resounding international hit and by the time Goldfinger (1964) was launched, James Bond was a commonly known British character and the film itself broke records at the time (Peachment, 1998).
As is common worldwide in the film industry, copycat films were soon launched like The Liquidator (1965) and Sebastian (1968). Rival series of films were also created and Michael Caine starred in the role of Harry Palmer (as a more realistic and believable version of James Bond) who appeared in movies like The Ipcress File (1965) Funeral in Berlin (1966) and Billion Dollar Brain (1967). Hollywood and European producers also paid attention to British cinema and the French director Francois Truffaut worked on his fist film outside of France when he directed Fahrenheit 451 (1966).
This was also the decade when American directors and producers came to England to make films. Reformation in British Industry.
Aftab, K. 2002, ‘Brown: the new black! Bollywood in Britain’, Critical Quarterly, vol. 44, no. 3, pp 88-98.
Bennett. R. and Pryor, P. 2003, ‘Brit report seeks more tax breaks for film biz’, Hollywood Reporter: International Edition, vol. 380, no. 23, pp 51-52.
Blair, H. et. al. 2003, ‘From London to Los Angeles: a comparison of local labour market processes in the US and UK film industries.’ International Journal of Human Resource Management, vol. 14, no. 4, pp 619-633.
Dawtery, A. 2004, ‘The empire strikes back’, Daily Variety, vol. 284, 2004 IFC Special, pp 51-52.
Doering, J. 2002, ‘The Boulting Brothers and the contemporary British film industry’, Contemporary Review, vol. 281, no. 1641, pp 235-241.
Eberts, J. and Illot, T. 1990, My Indecision is Final: The Rise and Fall of Goldcrest Films, Faber & Faber.
Economist. 1991, ‘An Ealing tragedy’, Economist, vol. 319, no. 7707, p98-99.
Harper, S. 1994, Picturing the Past: The Rise and Fall of the British Costume Film, British Film Institute.
Kerr, P. 2003, ‘We should be so lucky’, New Statesman, vol. 132, no. 4664, pp 44-45.
Lennon, D. 1998, ‘Boom times for UK films’, Europe, vol. 10, no. 379, pp 38-40.
Macnab, G. 1993, J. Arthur Rank and the British Film Industry, Routledge.
OBrien, M. and Holland, J. 1987, Picture Shows: The early British film industry in Walthamstow, History Today, vol. 37, no. 2, pp 9-16.
Peachment, C. 1998, ‘John Boorman: The deliverance of a one-man British film
industry’, New Statesman, vol. 127, no. 4386, pp 46-48.
Robertson, J. 1989. The Hidden Cinema: British Film Censorship in Action, 1913-1972, Routledge.
Screen Online. 2003, ‘UK Feature Films Produced 1912-2003’, BFI Film & Television Handbook, [Online] Available at: http://www.screenonline.org.uk/film/facts/fact2.html
Street, S. 1997, British National Cinema, Routledge.
Wallace, B. 1997, ‘Cool Britannia’ Macleans, vol. 110, no. 17, pp 38-42.
Wikipedia, 2006, ‘Cinema of the United Kingdom’ Wikipedia.org, [Online] Available at: http://en.wikipedia.org/wiki/British_film_industry
Word Count: 5,310
Please type your essay title, choose your document type, enter your email and we send you essay samples