Mechanical facts can be used to make a car drive by itself, or a building blowing up. Mechanical effects as a form of special effects are formed in a set that suggests a certain atmosphere or sight, such as break-away doors or walls. It is apparent that films use visual magic in order to create illusions and some trick effects in order to affect the audience to startle. The persistence of vision through special effects is proved to produce smooth, flowing action when projected, just as what is mentioned earlier. In-camera effects are common features of special effects, such as making a miniature appear bigger as in the case of robots in Japanese television programs, or the use of back projection or matte paintings. Three-dimensional models are also used in order to establish in-house special effects such as in the movie King Kong and Terminator II which used three-dimensional effects. With the use of special effects, there is no need to capture a scene with the use of real-life objects and events that endanger the lives and limbs of people. Rather, through the visual illusions depicted in films through the use of technical effects, objects are made to appear larger or smaller; buildings are made to appear uprooted from the ground, and ships are made to appear sinking.However, in King Kong’s production, the usage of sets was not maximized due primarily to the unfamiliarity of sets in the 1920’s and 1930’s. Thus, in King Kong, the camera/gun trope was used, with the cameraman takings shots of animals in the jungle of the African veldt.2 The special effects during the production process enhanced the photographed animals and sceneries. This enhancement is again, to create further illusion among the audiences.In Forbidden Planet (1956), the special effects are seen to stimulate the imagination of the audience in order for them to change the way they look at films.3 This is how illusion functions between the relationship of the viewers and the film.Narrative in films presents contrasting stories from those of films that present information such as a documentary film. In film narrative, the imagination of the writer and the director is endless to the point that they can depict anything in the film, even things and concepts beyond imagination or that do not at all exist in the real world. The usage of narrative
Erb, Cynthia. Tracking King Kong: A Hollywood Icon in World Culture. Wayne State University Press, 1998.
Gibbs, John. Mise-en-scene: Film Style and Interpretation. Wallflower Press, 2002.
Grodal, Torben. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford University Press, 1997
Gromley, Paul. The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema. Intellect Books, 2005.
Johnson, Charlie. The Categorization and Use of 3 Dimensional Computers Generated Special Effects in Film. University of North Texas, 2000. Retrieved on October 3, 2008 from http://184.108.40.206/scholar?hl=tl&lr=&q=cache:4l15etqUyioJ:www.library.unt.edu/theses/open/20001/johnson_charlie/problieu.pdf+cinematography+in+terminator+II
Johnson, John. Cheap Tricks and Class Acts: Special Effects, Make-up and Stunts from the Films of the Fantastic Fifties. McFarland and Company, Inc., 1996.
Kawin, Bruce F. How Movies Work. University of California Press, 1992.
Morton, Ray. King Kong: the history of the Movie Icon from Fay Wray to Peter Jackson. Hal-Leonard Corporation, 2005.
Pierson, Michelle. Special Effects: Still in Search of Wonder. Columbia University Press, 2002.
Please type your essay title, choose your document type, enter your email and we send you essay samples