A close check of these audiences entails gender and class. Yet another motivation of jazz in 1918-39 was the cultural aspect. Cocktails became fashionable that was previously a function of the working class. It is this verify that fronted the jazz age that involved the creation of dance halls, clubs, and tea dances. Hotels began to offer music, dances, live entertainment, and traditional dining settings. The women, on the other hand, had found their independence in the 1918-28 that led to their freedom in the public domain. The content of the music was also motivated by the fact that the youth rebelled against the then values and adopted a novel lifestyle to suit their time. The youths of the 1920s actually used jazz as a mechanism to rebel against their older generations. This motivated the artists as they wrote and played music that focused on the modernized women-some smoking cigar, other drinking-, sex and also dirty talk. A good example is the Lucas Jazz Band that supported the jazz age. The jazz artists, therefore, had the pressure to accommodate all the upcoming generations in the post-war period. The diversities became part of the jazz live performers who hoped to survive in the times. Scaruffi gives an example of the Papa Laine's Reliance Brass Band that played jazz music that represented the culture of the times. Definition, History, Musicians, & Facts Of Jazz.
Barker, C., and Barbara, G. M., British Theatre Between the Wars, 1918-1939,Cambridge, Cambridge University Press, 2000.
Fitzgerald, S., Echoes of the Jazz Age C., New York, Scribner, 1931.
Gioia, T., The History of Jazz, Oxford, Oxford University Press, 2011.
Price, E., Kernodle, T., and Maxille, H., Encyclopedia of African American Music. London, ABC-CLIO, 2010.
Scaruffi, P., A History of Jazz Music 1900-2000, New York, P. Scaruffi Publisher, 2007.
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