The beauty within the creation is regarded as the essential element that can lead a person towards the path of God because it reflects the inner virtue and value. The artists supporting the theory of humanism commonly believe that the artist is supposed to follow the divine style of creation. The artists should use his hands and minds to reach the peak of creativity in the same manner as the nature has created astonishing and wonderful objects in the world. The work of the human beings could not be perfect like that of God; however, it is important that the artists must attempt to create objects that imitate the creator (Barry, 2002, p36).The humanism theorists view that the artists can learn about achieving perfect blend of balance and beauty in their creations only when they consult the nature and look around different natural objects to see the balancing techniques use in their creations. The human body itself is regarded as an important source to learn about balancing while creating an object. During the renaissance era, many of the architects attempted to accomplish the creation of a building that can perfectly represent the numerical and proportion significance in connection with the harmony of nature. The Renaissance arts is regarded as major representative of the humanistic themes and techniques that proposes humanistic discourse as the main theme of arts. Most of the architects of the renaissance age also had firm belief upon the theory of humanism and their belief is clearly visible through their accomplishment (Barry, 2002, p36). The artists following the theory of humanism believe that the architect of a building is. The Essence of Humanism Seen Through the Villa Rotunda.
Barry, P. (2002). Beginning Theory: an introduction to literary and cultural theory, 2nd Ed, Manchester University Press, Manchester, U.K., p. 36
Howard and Deborah (1980). “Four Centuries of Literature on Palladio,” The Journal of the Society of Architectural Historians. Vol. 39, No. 3 (Oct. 1980) pp. 224-241
Hopkins, Andrew (2002). Italian Architecture from Michelangelo to Borromini. Thames &Hudson Ltd., London; 2002.
Petrosyan, M. (1972). Humanism: Its Philosophical, Ethical, and Sociological Aspects, Progress Publishers, Moscow.
Wittkower, Rudolf (1971). Architectural Principles in the Age of Humanism. W. W. Norton & Company, Inc., New York; 1971.
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