All of these factors enhance the significance of this analysis of the appeal of violent imagery in horror film and images of death. Now, to see a related view that supports the increasing interest in the violent images in horror movies, let us analyze the essay “When the Woman Looks” by Linda Williams. In this essay, the author clearly states how the image or icon of a woman is viewed and enjoyed by the man-dominated society. The appeal of horror and violent imagery in movies is different on the people and the article in its very opening sentence illustrates this dissimilar appeal on the basis of gender difference. Accordingly, as the article demonstrates, “Whenever the movie screen holds a particularly effective image of terror, little boys and grown men make it a point of horror to look, while little girls and grown women cover their eyes or hide behind the shoulders of their dates.” (Williams 15). The diverse reasons for the varied appeal in the case of women (or “for this refusal of the woman to look” at the movie screen with horror images) include reasons such as “she is often asked to bear witness to her own powerlessness in the face of rape, mutilation, and murder. Another excellent reason… is the fact that women are given so little to identify with on the screen.” . The Analysis of Articles about the Appeal of Violent Imagery in Horror Film and Images of Death.
Goldberg, Vicki. "Death Takes a Holiday, Sort Of." Why We Watch: The Attractions of Violent Entertainment. Ed. Jeffrey Goldstein. NewYork: Oxford UP, (1998): 40-51.
Williams, Linda. "When the Woman Looks." The Drea of Difference: Gender and the Horror Film. Ed. Barry Grant. Austin: UTexasP, (1996): 15-20.
Prince, Stephen. "Violence and the Psychophysiology in Horror Cinema." Horror Film and Psychoanalysis: Freuds Worst Nightmare. Ed. Steven Jay Schneider. New York: CambridgeUP, (2004): 246-248.
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