In the La mer Essays, between 1903 to 1905, the music had a more philharmonic format with an ending whose subjects were borrowed from the initial thought to the intermediate period. According to his critics, this was seen as a less subtle step in his progress, to some it was even perceived as negative.True to his pupil perchance for trying new things and gravitating from the conventional, he let himself be influenced by a new type of music in the west that most modern composers would rather have kept from their scores. This was Javanese gamelan; an oriental style that he found to be both appealing and intriguing. The orchestra, which composed bells gongs and percussions, mesmerized him so much that his style noticeably changed as he implemented parts of this composition in his later music. Admittedly, he did not refer to the gamelan scales or ensemble; however, his sensitive and refined melodies were overtly achieved with the application of oriental exotic scales. Of all the composers in his time, he was the only one to have an entire tone comprising entirely of tones and an octave spilt into six equal parts in singular and unique display of musical artistry unprecedented in his era. According to Rudolph Reti, Debussys biggest accomplishment was the creation of an enriched monophony founded on the melodic toners and harmonics that were radically different. Debussy and Orientalism.
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