Facebook Pixel Code
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

A comparative study between the regulations of the U.S. and the United Kingdom on Hip Hop music Essay Example

Show related essays

A comparative study between the regulations of the U.S. and the United Kingdom on Hip Hop music

This is a preview of the 18-page document
Read full text

A comparative study between the regulations of the U.S. and the United Kingdom on Hip Hop music. Regarding state surveillance targeted at the Hip Hop music industry which has spilled over beyond basic censorship of song lyrics and video images to actual scrutiny and investigation of the personal behavior and activities of Hip Hop and Rap artists in their everyday lives.The growing stigma against the Hip Hop music industry’s prevalent and constant use of violent and sexually-explicit lyrics in its songs has weighed heavily upon the said music sector, provoking not only reformatory mechanisms from major record labels interested in maintaining the support of the purchasing public but also the polarization among those who find such mechanisms necessary and rational as opposed to those who find them too restrictive and pointless.

Hip Hop and Rap artists, their managers, and their record labels have been scrambling all over themselves to pacify the accusatory ire of both the government and non-government organizations bent at stripping Hip Hop music of its rabid teeth9.Of the many Hip Hop and Rap performers that are now working to improve and soften their image to the now-scrutinizing public, Marshall Mathers otherwise more popularly known by the stage name Eminem has come to the forefront of Rap artists being severely criticized for their continued use of inappropriate and provocative lyrics. The “hate speech”10 that has come to be associated with Mathers in his rabid songs has propelled him to the centerstage of this growing battle between artistic license, freedom of speech and censorship. His position becomes more significant considering not only the provocativeness of his lyrics but also by the fact that his albums sell to both the buying public and the music award boards.11 Not only did his album, “The Marshall Mathers LP,” sell beyond 8 million copies in the year 2000 alone, but the same album also garnered several nominations and awards in the 2001 Grammy’s12. Aside form, the Grammy’s, Mathers also has won several award to his name. No other artist today better embodies the very phenomenon that supporters of censorship fear most: an artist with both provocative lyrics and a captive audience.This paper seeks to examine the ongoing debate surrounding the censorship of Hip Hop music. We first focus on the criticisms, forms of censorship and defenses made by various opposing sectors in reaction to Eminem’s provocative lyrics and music. The case study will include information on his life and a detailed focus on his song. A comparative study between the regulations of the U.S. and the United Kingdom on Hip Hop music.

This is a preview of the 18-page document
Open full text


Bennett, Andy. (2001) Cultures of Popular Music. Open University Press.

Born, Georgina. (1995) Rationalizing Culture. University of California Press.

Chang, Jeff. (2005) Cant Stop Wont Stop: A History of the Hip-Hop Generation. Edbury Press.

Chastagner, Claude.(1999) The Parents’ Music Resource Center: From Information to Censorship. Popular Music, Vol. 18, No. 2, pp. 179-192

Donnellan, Craid (2001)The Censorship Issue. Entertainment and Society Journals

Duralde, Alonso. (2001) The Trouble with Eminem- morality and social effects of rap singer’s use of offensive language in song lyrics. The Advocate.

Eveland, William, et al. (1997) Support for Censorship of Violent and Misogynic Rap Lyrics. Communication Research, Vol. 24 (2), pp.153-174

Gey, Steven (1996) The Case Against Postmodern Censorship Theory. University of Pennsylvania Law Review, Vol. 145(2), pp.193-2s97.

Office of Communications Act 2002

Peddie, Ian (2006) The Resisting Muse: Popular Music and Social Protest. Ashgate

Sanneh, Kelefa (2007) MUSIC: Dont Blame Hip-Hop; How Don Imus Problem Became a Referendum on Rap. New York Times.

Schiller, Reuel E. (2000) Free Speech and Exercise: Administrative Censorship and the Birth of the Modern First Amendment. Virginia Law Review, Vol. 86,1,pp.1-102

Racial and Religious Hatred Act 2006



























Close ✕
Tracy Smith Editor&Proofreader
Expert in: Music, Visual Arts & Film Studies, Sports & Recreation
Hire an Editor
Matt Hamilton Writer
Expert in: Music, Education, Design & Technology
Hire a Writer
preview essay on A comparative study between the regulations of the U.S. and the United Kingdom on Hip Hop music
  • Pages: 18 (4500 words)
  • Document Type: Essay
  • Subject: Music
  • Level: Degree
WE CAN HELP TO FIND AN ESSAYDidn't find an essay?

Please type your essay title, choose your document type, enter your email and we send you essay samples