Facebook Pixel Code
x
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

The Events in the History of Film-Making: Ideology and Culture of Film Noir Essay Example

Show related essays

The Events in the History of Film-Making: Ideology and Culture of Film Noir

The Events in the History of Film-Making: Ideology and Culture of Film Noir. The 1950s movies, therefore, stressed to redefine family values and focused to get the social identity of the soldiers back (Kennett, 1987). Double Indemnity (1944) is regarded to be the first and one of the finest film noir. The plot commences with Neff who makes a visit to a house to renew one of his client’s insurance policy. There he meets the attractive blonde Phyllis, also the wife of his client. On his first encounter with Phyllis, when she is standing in the staircase covering her body with nothing but a towel, Neff falls for the seduction he could barely resist. As Phyllis seduces Neff with all her charm, she convinces him to kill her husband so that they could be together. Neff uses his skill and makes a plan to kill Phyllis’

s husband and also collect the insurance money associated with him. The movie involves several twists and turns leaving the two in jeopardy (Biesen, 2005). The players, costumes and stylistic ingredients of Double Indemnity precisely represent this group of films from the early 1940s era. The dark tone of the movie, the anti-hero who is misguided by material wealth and lust and the seductive nature of women are all important elements of film noir that this movie contains (Naremore, 2008). Dominant ideologies signified that the purpose of females was to rear children and be a symbol of motherhood. The female actress, portrayed by Phyllis, challenged this role of women during the Second World War era, and as shown in the movie, she ultimately pays a price for it. Phyllis is shown as a deceitful vamp and rebellious women who try to work her way out by manipulation. These kinds of traits were not commonly seen in women those days as they were considered innocent and mostly unaware of things happening outside the boundary of their homes. This is shown to the audience when the movie opens up introducing her. The viewers are first treated to her exposed body, and the way she moves is very erotic as she goes on to dress by buttoning up her blouse. In this scene, she is portraying the nontraditional customs of seduction, something which was not practised by women back then. The Events in the History of Film-Making: Ideology and Culture of Film Noir.

References

Armstrong, R., 2000. Billy Wilder: American Film Realist. First ed. Charlotte: McFarland.

Biesen, S., 2005. Blackout: World War II and the Origins of Film Noir. First ed. Baltimore: John Hopkins Press University.

Bould, M., 2012. Film Noir: From Berlin to Sin City. First ed. New York: Columbia University Press.

Cain, J., 1935. Double Indemnity. First ed. New York: Knopf Doubleday Publishing Group.

Haywood, A., 2010. Vienna 6. First ed. Melbourne: Lonely Planet.

Hibberd, L., 2008. Studying The Third Man. First ed. Bedfordshire: Auteur Publishing.

Kaplan, A., 1998. Women in film noir. First ed. London: British Film Institute.

Kennett, L., 1987. G.I.: The American Soldier in World War II. First ed. New York: University of Oklahoma Press.

Leitch, T., 2002. Crime Films. First ed. New York: Cambridge University Press.

McNamee, D., 2011. Frommers Vienna and the Danube Valley. First ed. Chichester: Wiley Publishers.

Meyer, D., 2003. The Roots of American Industrialization. First ed. Baltimore: JHU Press.

Naremore, J., 2008. More than Night: Film Noir in Its Contexts. Second ed. Los Angeles: University of California Press.

Shaw, T., 2001. British Cinema and the Cold War: The State, Propaganda and Consensus. First ed. New York: I.B.Tauris.

Silve, A., 2010. Film Noir: The Encyclopedia. First ed. New York: Overlook Press.

Valverde, M., 2006. Law And Order: Images, Meanings, Myths. First ed. New Jersey: Rutgers University Press.

Williams, L., 2005. The Erotic Thriller in Contemporary Cinema. First ed. Indiana: Indiana University Press.

Close ✕
Tracy Smith Editor&Proofreader
Expert in: Visual Arts & Film Studies, Performing Arts, Music
Hire an Editor
Matt Hamilton Writer
Expert in: Visual Arts & Film Studies, Sports & Recreation, Professional
Hire a Writer
preview essay on The Events in the History of Film-Making: Ideology and Culture of Film Noir
  • Pages: 14 (3500 words)
  • Document Type: Essay
  • Subject: Visual Arts & Film Studies
  • Level: Ph.D.
WE CAN HELP TO FIND AN ESSAYDidn't find an essay?

Please type your essay title, choose your document type, enter your email and we send you essay samples