Opponents of the building cited lack of architectural congruence with surrounding environment as the main reason for the controversy. At Rasin’s riverbank, the exact location of the house, all surrounding houses belongs to either the Gothic or Baroque architectural styles. However, the Dancing House was the first structure of deconstructive architecture in Prague.In the late 20th Century, deconstructive architecture was new in Prague. For approximately 5 decades, Czech Republic was under communism. While under communism, freedom of innovation in architecture was prohibited by the state. Actually, communist leaders authorized demolition of architectural structures that were not based on functionalism principles (Coop and Smith, 29). Fortunately, the Czech Republic underwent the Velvet Revolution, which ushered in democracy. As a result of the political transformation, Prague’s architectural progress was resuscitated. Presently, the Dancing House remains the leading iconic portrayal of the resuscitation. On the other hand, the adjacent buildings are a constant reminder of Czech’s past while under totalitarian rule.Purposefully, both architects wanted to portray a transformational theme with the house. The curved glass tower represents dynamism of architecture. Contrarily, the upright tower is a representation of static designs in Prague’s architecture. Contextually, the static and dynamic towers are synonymous to communism and democratic regimes in Czech Republic respectively. The Medusa structure at the top of the building represents human hair. Observably, the building stands for the joyful dances performed by Czech citizens after the political transition from communism to parliamentary democracy (Coop and Smith, 37).As acknowledged earlier, the Dancing House is a representation of dynamism in Prague’s architecture. As the first icon of deconstructive style, I am of the opinion that this structure laid the foundation for postmodern art in Czech Republic. Admittedly, the Soviet Union and its totalitarian philosophies left scars in Czech Republic. After the Velvet Revolution, those political and social scars from the past had to be somehow sidelined. The Dancing House is an iconic approach towards sidelining the bitter past of Czechoslovakia. As the architects alleged, the Dancing House represents a couple performing joyful dances after the fall of communism (Sobol, 01). In this regard, I believe the
Coop, Regina and Smith, Peter. Architecture in Transition: A comparison between deconstruction and new modernism. Detroit: University of Michigan Press, 2007. Print.
Kroll, Andrew. AD Classics: Jewish Museum, Berlin. Arch Daily. November 25, 2010. Web, October 28, 2014. http://www.archdaily.com/91273/ad-classics-jewish-museum-berlin-daniel-libeskind/
Sobol, Pavel. The Dancing House, Prague. Galinsky.com. 2005. Web, October 28, 2014. http://www.galinsky.com/buildings/dancinghouse/
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