Ironically, at the home of the Aboriginal society, this is passive literature.Lionel Fogerty, as part of the Aboriginal writers, together with Alexis, shares the political context of Aboriginal people. For example, they seem to share this radical understanding of how colonial imperialism has continued to shape the modern Australia (Munkelt, 2013). This is evident as the modern Aboriginal literature content on circulation touches on a wide range of social-cultural issues like homosexuality, racism, refugees, deaths in custody, kidnapping, and the universal subject on the dislocations of peoples’ experiences as they are split between country and the values of urban standards of living. In view of the Aboriginal writers, this, according to them, is not a piteous cry of victims, but rather tough, realistic perceptions of survivors. One cannot fail to perceive the realities of Aboriginal people in Rosie Smith’s writings, Screams of Fear (Wright, 2013). She extends the emotions of people from the moments one learns his child is to go the cell or is in it already. In her poem, Rosie escalates the realities of desolation and despair. This is all fed with the lack of recognition of what prison meant. The writer highlights how the social context of families faces misshaping and damaged by lack of comprehending the realities of colonization. This is the reason why another Aboriginal writer, Kerry Reed challenges the whites’ Australian prejudice on the meaning of family and country in his poem, By Choice. He highlights the choice made by the Aboriginal Australians in living in the conditions and the areas where they are, that it is their choice and not enforcement. The reality in these writers literature world is what Alexis describes as the love and interest in her culture and lives, before and after the invasion (Munkelt, 2013). This is the only path to social, political, and cultural liberation, the corners the Aboriginal literature has to take on in order for self-actualization gets its rights.The fable by Kim Scott, Capture, demonstrates how academics inevitably breed to a murderous violence on the indigenous, as well as blinded by their own cultural assumptions and ambition. In this fable, Scott’s political and social context of the contact between Aboriginal Australians and whites is overt. In her essence, whites encounter with Australian people led to similar behavior exhibited by Peter
Munkelt, M. (2013). Postcolonial translocations: Cultural representation and critical spatial thinking. Amsterdam: Rodopi.
Wright, A. (2013). The swan book. Artarmon, N.S.W: Giramondo.
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